Mark Applebaum

Mark Applebaum

Flashlight

2018

Duration: 15:30
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Program Notes

Flashlight
(2018)

Mark Applebaum
(b. 1967)

Composed for
50 For The Future:
The Kronos Learning
Repertoire

Artist Statement

"There is an alternate universe in which this piece makes sense. There is another alternate universe in which this piece was written by Haydn. There is also an alternate universe in which this piece is a transcription of a popular nursery rhyme. There is an alternate universe in which this piece, when played, transforms tools of oppression into tools of liberation. There is an alternate universe in which this piece would not be played on a gluten-free menu. There is an alternate universe in which this piece is the only piece of music, and so ‘music’—for the very few who even know of it—is considered an esoteric and failed experiment (but that’s okay because the people in that universe have loads of other, better things to do anyway—e.g., planet bowling, dolphin literature, reverse moustache imitation, Canadian bingo, brunfph). There is an alternate universe in which the angel Gabriel spoke and it sounded like this piece. There is an alternate universe in which insufferably clever people incessantly complain that it is ‘so cliché’ and ‘unnecessarily ludic’ to announce that ‘this piece is not a canoe.’ There is an alternate universe in which this piece makes perfect sense. There is an alternate universe in which this piece is titled Lobster Sapling. But for now, we’re in this universe, and this piece, commissioned by the Kronos Quartet’s Fifty for the Future initiative, is called Flashlight.”

Mark Applebaum

Instructional Video

Mark Applebaum demonstrates how to perform the hand gestures in Flashlight.

Composer Interview

Mark Applebaum discusses his musical background, his composition process, his relationship with Kronos, and more.

Artist’s Bio

Mark Applebaum

USA
Applebaum_Headshot

Mark Applebaum is the Edith & Leland Smith Professor of Composition at Stanford University. Many of his pieces—including one that was written for Kronos in 2015—are characterized by challenges to the conventional boundaries of musical ontology: works for three conductors and no players, notational specifications that appear on the faces of custom wristwatches, works for an invented sign language choreographed to sound, amplified Dadaist rituals, a chamber work comprised of obsessive page turns, and a 72-foot-long graphic score displayed in a museum and accompanied by no instructions for its interpretation. Applebaum is also an accomplished jazz pianist and builds electroacoustic sound-sculptures out of junk, hardware, and found objects. At Stanford, Applebaum is the founding director of [sic]—the Stanford Improvisation Collective. He serves on the board of Other Minds and as a trustee of Carleton College.

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Kronos Quartet

World Premiere

March 30, 2019

Kronos Festival 2019

SFJAZZ / San Francisco, California More Info